Arnold Dreyblatt

“This is music like a Swiss watch, precise in its mastery of time, but jumping with the whirring cogs and pulleys of minute mechanizations. Everything's moving, twitching about, a whirl of individual sounds ratcheting up and down in a modulated relationship to one another. Springy rhythms dance with each other in animated playfulness as clipped percussion and purposefully bowed strings generate delightful harmonic chatter.”
Steve Dollar

Arnold Dreyblatt
The Sound of One String
1998

Table of the Elements
[Ruthenium] TOE-CD-44
Compact disc

Arnold Dreyblatt
Point Source/Lapse
Lanthanides Series
2003

Table of the Elements
[Europium] SWC-LP-63
Phono LP, silkscreen, luminous ink

Arnold Dreyblatt and the Orchestra of Excited Strings
Live at Federal Hall National Memorial, 1981
2006

Table of the Elements
[Xenon] TOE-CD-54
Compact disc

Arnold Dreyblatt
A World from a Single String
2010 [Unreleased]

Table of the Elements
[Rutherfordium] TOE-CD/DVD-104
6xCD/DVD boxed set

Rhys Chatham (France/USA)
w/ “Die Dönnergötter” Guitar Army
+ Jonathan Kane + Ernie Brooks III
+ original artwork and projections by Robert Longo
Arnold Dreyblatt and the Orchestra of Excited Strings (Germany)
Jonathan Kane’s February (USA)
Tony Conrad (USA)
Zeena Parkins (USA)
San Agustin (USA)
Andrew Burnes/David Daniell/Thurston Moore Trio (USA)
Leif Inge (Norway) 9 Beet Stretch: 24-hour performance

Dubnium:
Table of the Elements Festival no. 3
2005

Table of the Elements
[Dubnium] TOE-105
March 15-16
2005

Central Presbyterian Church
8th and Brazos
Austin, Texas
Entry: South by Southwest festival pass
Producers: Jeff Hunt/SxSW

A Conduit for History Exploding in the Present Moment

TABLE OF THE ELEMENTS is a curatorial network and interdisciplinary platform, live-event presenter, and fine-arts publisher of print, audio, and film, lauded by Pitchfork Media as “a national treasure.” Since its origin as a record label in 1993, TotE has been dedicated to preserving, promoting, and promulgating works by international creators of experimental audio, electroacoustics, free-improvised performance, sonic sculpture, microtonality, and modern composition. The label’s 150-plus releases are a vital contemporary chronicle, a survey of meaningful eruptions across a broad horizon of sound and vision. Each project demonstrates how a publishing concern might romp wild, unbridled from the carousel of convention.

• • • • •

"The supremacy of Table of the Elements as an unwavering outpost of ultra-experimental strains can be attributed to its concomitant adherence to valiance. Most of the Table of the Elements catalog has no broad commercial appeal, and many of its projects are risky ventures, even with respect to the experimental marketplace. Yet, this philosophy of risk works because everybody associated with the label feels like they're doing important work releasing important records, and they're willing to go for broke to make it happen.”

—Pitchfork

“The hallmarks of this New Archivism are beautiful and innovative packaging, elaborate and idiosyncratic liner notes, rare and obscure recordings ... Working with graphic designers such as the Grammy-winning Susan Archie, Jeff Hunt produced a collection that combines varied textures, lavish finishes, and period details with art from the era of the original source recordings. Their treatment of Robert Longo’s late 1970s photographs for Rhys Chatham’s releases could, for instance, measure up to what’s on view at most contemporary art centers. In addition to its archival endeavor, TotE also releases the new work of its avant-garde heroes and their devotees. TotE’s active support of the work of sonic pioneers ensures that theirs are living traditions — not ossified museum objects.”

—Thomas Peake, Art Papers

Tony Conrad: Completely In the Present
A Film by Tyler Hubby

"Hubby's film captures Conrad in all his facets ... broadly as a man determined to make 'abstract art funny, happy, energetic, joyful.' Conrad lived long enough to see his early recordings, barely or never released, get the reissue and the attention they deserve. ... [Completely In the Present] is a sharp, sweet, eloquent documentary about the merriest, most artistically expansive minimalist on record. His work and his life asserted the importance of listening for the sounds nobody else has heard."

—Chicago Tribune

“Joyous, exhilarating, and transformative, Tyler Hubby’s documentary is essential viewing for anyone involved in the history of music and visual art.”

—Artforum

"Conrad was 100 percent badass. Without Tyler Hubby’s documentary and Table of the Elements ... one of the great stories of American music and art might have gone underappreciated.”

—Henry Rollins

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